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His collaboration with Cyndi Lauper didn't stop there, however. He managed The Headshrinkers and WWF/E Hall of Famer, the late Andre the Giant and he even had collaboration with Cyndi Lauper, having made appearances in her music video, Girls Just Wanna Have Fun. He went to work as a manager adding 'Captain' to his name. He began working in a tag team called the Sicilians, but he got put right off after people started to throw rocks and snowballs at him, and basically he'd had enough.Īnother contributing factor is that Mafia members harassed the Sicilians, and demanded that they dissolve because their gig was being too resemblant of the actual Mafia. At the end of his military career, he was introduced to professional wrestling. In his adolescence, Albano enjoyed playing football, and after high school, he joined the U.S. His family moved to the United States of America preceding his birth. Lou Albano was born in Rome, Italy in July 29, 1933. Super Show, and played him in the live-action segment as well. Many professional wrestlers made tributes to the former wrestling manager, and many major publications and websites, including MTV.com and New York Times, ran his obituary.Actor, voice actor Louis Vincent Albano (J– October 14, 2009), was a WWE Hall of Fame wrestler-turned-manager and character actor who played the voice of Mario on The Super Mario Bros. The Wrestling Community Saddened by the Captain Lou Albano Death NewsĮven though Captain Lou Albano’s health had been rocky for years, the wrestling community was shocked by his passing. He died at home in Westchester County, New York. Sadly, a second heart attack would claim his life on October 14th. His health again took a sharp decline in 2009. While Captain Lou Albano was able to lose weight and get on the path to a healthier life, he wasn’t able to completely avoid health problems. More Health Struggles Bring About the Captain Lou Albano Death Story Over the course of the decade, he would lose more than 150 pounds and by 2000 he did seem to have considerably improved his health. While information has not been shared as to exactly what transpired, it’s known that Captain Lou Albano had a serious health problem during the early 1990s. Sadly, his ability to continue his career in entertainment was greatly limited during the 1990s. In 1986, Captain Lou Albano left the World Wrestling Federation to pursue other interests, but he still occasionally made appearances at ringside. Through collaborations with pop star Cyndi Lauper, he helped bring mainstream attention to wrestling during the 1980s.Įven though the Captain Lou Albano death story occurred years ago, he is still fondly remembered to this day by wrestling fans.Ĭaptain Lou Albano guests on a 1984 segment of Piper’s Pit A Decade of Health Problems Precede the Captain Lou Albano Death Story Albano managed numerous top name competitors. Known to friends and family as Louis Albano, during the 1970s and 80s, the larger-than-life personality brought drama and fun to the world of professional wrestling. With a wardrobe of colorful Hawaiian shirts, facial piercings finished with rubber bands, and unruly hair with a beard to match – Captain Lou Albano was a man you couldn’t help but notice. In web-programming we often work with streamed data, so that’s another very important use case. Without a signal source to provide an appropriate input signal no significant electrical measurements can be made. And, surely, they are great for making iterable objects.Īlso, in the next chapter we’ll learn async generators, which are used to read streams of asynchronously generated data (e.g paginated fetches over a network) in for await. But sometimes they come in handy, because the ability of a function to exchange data with the calling code during the execution is quite unique. In modern JavaScript, generators are rarely used. A typical function generator can produce many. The outer code and the generator may exchange results via next/yield calls. A laboratory test instrument, often used in early forms of electronic music including tape studio techniques. Inside generators (only) there exists a yield operator. In that case, the err is thrown in the line with that yield.įor instance, here the yield of "2 + 2 = ?" leads to an error: To pass an error into a yield, we should call generator.throw(err). 20.1 that contains various function forms such as Sine, Square, and so on. One way to tell a function generator from an oscillator is that a function generator has a section Function as shown in Fig. Figure 20.1 shows the front panel of a typical function generator. That’s natural, as an error is a kind of result. A function generator and an oscilloscope may look very similar. …But it can also initiate (throw) an error there. generator.throwĪs we observed in the examples above, the outer code may pass a value into the generator, as the result of yield. Each next(value) (excluding the first one) passes a value into the generator, that becomes the result of the current yield, and then gets back the result of the next yield. You can also define generator functions using the function expression. A generator function can be exited and later re-entered, with its context (variable bindings) saved across re-entrances. When called, generator functions do not initially execute their code. try.catch var while with function The function declaration creates a binding of a new generator function to a given name. Generator functions are written using the function syntax.
In addition to RAW and MP4 in 8K, it also supports 4K recording in XF-AVC format, which is based on the MXF broadcasting standard. While the EOS R5 could shoot 8K RAW only up to 30p/25p, the EOS R5 C can shoot up to 60p/50p in RAW LT mode. For RAW format recording, it uses the efficient Cinema RAW Light format also utilised by other Cinema EOS cameras, but features three newly developed modes that users can choose from according to their shooting needs: The EOS R5 C comes with a large assortment of recording formats for a cinema camera. Variety of recording formats Up to 8K RAW 60p internal recording, with a variety of recording formats Turning the power switch to “VIDEO” engages the Cinema EOS UI, which looks like the EOS C70 UI, offering the Cinema EOS menu.įilming the sunset with the EOS R5 C-also a perfect photo opportunity! Turning the power switch to “PHOTO” engages the same UI as the EOS R5, and it presents almost the same features and performance for your photography needs. The most unique feature of the EOS R5 C is its dual system, which offers two different UIs (user interface) for stills photography and video. *Based on CFexpress card recording (two-slot recording: Off), use of a RF50mm f/1.2 USM lens, and use of LCD monitor (Brightness: normal).ĭual system: One camera, 2 different user interfaces A dual system that allows you to boot into either Photo or Video Therefore, do plan your shoots and pack extra batteries for your intended shoot duration. Those who require the mobility of running only on internal batteries may want to note that the native battery life is much shorter, at around 40 minutes*. I did not experience any overheating issues. I shot in RAW LT format at 50p while powered with an external battery. The longest continuous take in 8K that I did was 2.5 hours for my short documentary, “The Guitar Doctor”. The camera’s small, unobtrusive form factor despite its virtually unlimited 8K 50p/60p shooting capabilities allowed me to produce very high-quality videos and visuals in many locations. With its compact, lightweight body that few existing 8K-capable cinema cameras can match, the EOS R5 C significantly contributes to improving 8K production mobility. Fellow EOS R5 and EOS R6 users would probably not notice any major differences when they use the EOS R5 C. It also retains the same level of dust and drip resistance as the EOS C70 and EOS C300 Mark II. With the addition of the cooling fan system, the EOS R5 C is around 23mm deeper and weighs 30g more than the EOS R5, but these differences are hardly noticeable when the camera is held in your palm. Note: Weight indicated is for camera body only, and does not include batteries and memory card. This allows it to record 8K RAW videos practically nonstop, with optional external power (sold separately). In addition to the above, it adds a cooling fan system located at the rear of the camera near the LCD monitor, which limits the overheating that occurs when shooting high-resolution video such as 8K video. Full-frame CMOS image sensor with up to 45 effective megapixels The EOS R5 C shares some of the same basic specifications as the EOS R5, such as: To better cater to the increasing demand for 8K video production, Canon addressed the EOS R5’s 8K recording time limits in a brand-new video-first hybrid camera model: the EOS R5 C. It is also known for its video capabilities, especially the support for 8K RAW video shooting. The current EOS R5 is an excellent full-frame mirrorless camera built for stills photography with its powerful 20 fps speed and high-resolution 45-megapixel CMOS sensor. *With external power options, sold separately Virtually unlimited 8K 60p RAW recording An internal active cooling system that realises virtually unlimited 8K 60p* RAW video recording “I’m also really influenced by Islamic patterns, growing up with dual Turkish and British heritage and surrounded by a lot of Islamic textiles and ceramics, so this has a big influence on the way I explore pattern and composition.”Įach of the art-inspired Air Max 270 React shoes can be snapped up from Nike. I also took inspiration from the sharp angles and forms of London’s skyline and Brutalist architecture. I wanted to have a mix to hint at the diverse community, people and cultures which make up London. "For Nike, I included some figures but tried to keep them quite abstract. “A lot of my work explores community, growing up and living and working in East London,” she explains. Her monochrome illustration for the React 270s makes your eyes pop, borrowing techniques from op art masters Bridget Riley and Victor Vasarely, and visuals from her home town and upbringing. One of the artists behind the range is Erin Aniker, illustrator and co-curator of the We Are Here exhibitions. Koby Martin’s impressionism-themed artwork features an atmospheric, eerie scene complete with doves and a haloed boy, whereas the Air Max 270 React created by Denzel Kessie features coral heals and toes and baby blue laces, inspired by his playful ode to mid-century modern.īoth Kinglsey Nebechi and Ham the Illustrator opted for illustrations more akin to their normal style, the former creating a two-colour landscape reinterpreting the American Modern movement’s interwar exuberance, and Ham depicting a crew of trippy characters in honour of psychedelia. London-based Moses Adesanya created a Bauhaus-inspired print featuring interlocking geometric shapes shaved into the hair of two men, while Jasmin Sehra’s drew on the pastel colour palette and playful attitude of Ettore Sottsass’ Memphis movement. Each of the designs has been inspired by modern art movements from pop art to Bauhaus, op art and psychedelia, with colours from the designs carried over to the collection of shoes. Both of these whimsically refined Nike shoes will release on July 3rd for $150 USD, so check out a comprehensive store list directly below to see where you can secure a pair.Nike has commissioned seven young artists to create bespoke artworks and matching trainers for the launch of its new Air Max 270 React shoe. There’s a women’s pair too, one that interprets its theme with powder blue/red accents, a black Swoosh, and yellow detailing on the collar and Air Max unit. Down below, a sublime blue Air Max 270 cushioning unit and React midsole fuse together to ensure the comfort stacks up to the look. The insoles acknowledge Bauhaus even further with their flipped color palettes/geometric shapes. Wavy white and black panels make up the majority of the upper’s base layer, while vivid yellow, hot red, cool turquoise and bold blue all provide accents. 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In 2000, Abdellah was inducted into the National Women's Hall of Fame. A few of Abdellah's more passionate interests in public health included the importance of long-term care planning for elderly patients the need to strengthen nursing school infrastructure and the necessity of patient-centered approaches in nursing. In addition to these achievements, Abdellah led the formation of the National Institute of Nursing Research at the NIH, and was the founder and first dean of the Graduate School of Nursing at the Uniformed Services University of the Health Sciences (USUHS). Preceding her appointment, she served in active duty during the Korean War, where she earned a distinguished ranking equivalent to a Navy Rear Admiral, making her the highest-ranked woman and nurse in the Federal Nursing Services at the time. Abdellah was the first nurse and woman to serve as the Deputy Surgeon General of the United States. Through his contributions to the behavioral psychology field came his major impacts on education, where the law of effect has great influence in the classroom.+ show moreįaye Glenn Abdellah was an American pioneer in nursing research. Edward Thorndike had a powerful impact on reinforcement theory and behavior analysis, providing the basic framework for empirical laws in behavior psychology with his law of effect. A Review of General Psychology survey, published in 2002, ranked Thorndike as the ninth-most cited psychologist of the 20th century. He was a member of the board of the Psychological Corporation and served as president of the American Psychological Association in 1912. He also worked on solving industrial problems, such as employee exams and testing. His work on comparative psychology and the learning process led to the theory of connectionism and helped lay the scientific foundation for educational psychology. 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Why, you’ll even praise Jesus Himself for all the… all those thing’s she’s gonna… “I’m gonna love you till it hurts / Just to get you, I’m doing whatever works.” Apparently you’re gonna really enjoy it, too, because if you didn’t know by now, flies only writhe and struggle about in those webs out of anticipation – they’re just having a great time waiting to die. Then the second verse arrives and the song dramatically shifts from one about a failing relationship to another about some weird dominatrix fantasy. So how do killer spiders figure into all this? The lyrics: A relationship has gone seriously sour, with both parties – once madly in love with each other – now finding themselves unable to stand each other anymore: “it’s like I loved you so much and now I just hate you / Feeling stupid for all the time that I gave you.” She doesn’t really have much to say about it except for “my word, how you suck,” but this sort of thing is still fertile ground for a pop song, provided you can take an original look at it. You know, those rising inflections, that weird accent, all those, er, rhymes… look, I don’t know much about hip hop, all right? Meet me halfway here. What else? Should I comment on Azalea’s flow here? Okay, well, if you like Azalea’s flow you should like what she does here, because it’s the same attitude-inflected rap style she used on “Fancy”. That’s about it for the music, to be honest: mostly that lifeless beat bubbling under a simple verse-chorus-verse structure, simmering on until it ends without ceremony. The bridge is decent – I quite like that – but overall the whole thing is just a bit flat and dull. Unfortunately it feels like it’s building to something much better that it can’t deliver on – which, as it turns out, it doesn’t, because instead of rising and exploding it just drops back to that beat. The chorus doesn’t really do much and isn’t particularly memorable to my ears, but I could see why someone would like it: Ora’s a good singer and she handles what semblance of a melody is here well enough. Am I supposed to sit and wait for this black widow to come and attack me? Am I a fly now? Is that what the music industry thinks of me? Charming. What am I supposed to do with this music? I can’t dance to it – there’s not enough groove or swing for that. It’s just not very interesting or catchy for a pop single. The music: Oh, I suppose there is music here, isn’t there? Well, the minimalist beat is obviously trying to convey a creepy, sinister vibe, because that’s what people associate with venomous spiders but the creepiness wears off pretty quickly because the beat is so repetitive. Given the buzz this song’s been getting I expected more, honestly. Note: skip ahead to about 1:42 for the actual song.įirst impressions: Wait, was that it? Er, all right then. Quite the stretch, that, wasn’t it? I’m very sorry. Speaking of “fancy”, today it’s “Black Widow” by Iggy Azalea featuring Rita Ora. Fancy another pop song review? Sure you do. |
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